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| ID | ▲ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2066 | Buch | I-143176/2 | B-215-07 | The beatles as Musicians; The Quarry Men through Rubber Soul | Everett, Walter | 2 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2076 | Buch | I-143177 | B-320-08 | The Musical Artistry of Rap | Connor, Martin E.; Adams, Kyle; Zechory, Ilan | McFarland | Jefferson | 2018 | 320 | Rap | Theorie, Kontext, Musicology | 2020-06-10 10:46:10 | ||||||||||
| 2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
| 2142 | Buch | 0-146520 | B-800-48 | Modernisierungstheorie | Degele, Nina; Dries, Christian | Wilhelm Fink Verlag | München | 2005 | 2021-01-26 15:07:57 | |||||||||||||
| 118 | Diplomarbeit | D-215-01 | Die Beatles-Songs: Popmusik oder musikalische Kunstwerke? Versuch einer musikanalytischen Feststellung | Stieglitz, Stefan | IMP Wien | 1999 | 8 | Pop, Analyse, Musiker, Großbritannien, Muskwissenschaft, Werk, Theorie | Diplomarbeit im FBPM | 2009-11-26 12:39:21 | ||||||||||||
| 873 | Diplomarbeit | D-820-04 | Konzertmanagement. Theorie und Praxis am Beispiel des "Seefest" in Buchkirchen/OÖ | See, Andreas | iPOP Wien | 2006 | Jugendkultur, Musikmarkt, Oesterreich, Vermittlung, Wirtschaft | 2007-01-12 11:28:03 | ||||||||||||||
| 1240 | Dissertation | D-800-01 | Complete Communion...? Die musikalische Methode der Kollektiv-Improvisation als Analogie zur idealen Sprechsituation und Rahmenmodell interkultureller Kommunikation | Gansinger, Martin | Wien | 2009 | Jazz | Technik, Jazz, Kommunikation, Theorie, Analyse | zweitbetreut von HH | 2009-11-12 11:46:19 | ||||||||||||
| 1705 | Masterarbeit | D-800-05 | on & off the road, Live-Performance in Theorie und Praxis populärer Musik | Eder, Philipp | ipop Wien | 2013 | 800 | Theorie, Live, Performance | 2013-11-15 12:18:46 | |||||||||||||
| 2042 | Masterarbeit | D-800-08 | Das Image von Popstars - Zur Identitätskonstruktion von KünstlerInnen in der Popularmusik | Aichberger, Maria | ipop Wien | 2018 | 800 | Image, Theorie, Pop, Popstar, Popmusik | 2019-02-15 11:33:29 | |||||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1097 | Textbeitrag | T-800-08 | The future of rock:discourses that struggle to define a genre. | Fornäs, Johan | Popular Music | 14 | 1995 | Theorie, Wissenschaft, Stil, Entwicklung | S. 111-126 | 2009-03-26 13:25:34 | ||||||||||||
| 1146 | Textbeitrag | T-850-04 | Pop and the nation state: towards a theorisation | Cloonan, Martin | Popular Music | 18/2 | 1999 | Politik, Soziologie, Theorie | S. 193-208 | 2009-07-02 12:11:48 | ||||||||||||
| 1167 | Textbeitrag | T-800-17 | Representation of femininity in popular music | Dibben, Nicola | Popular Music | 18/3 | 1999 | 000 | Theorie, Frau, Soziologie, Wissenschaft | S. 331-356 | 2009-07-02 12:24:19 | |||||||||||
| 1216 | Textbeitrag | T-221-02 | "Living in the Past"?: value discourses in progressive rock fanzines | Atton, Chris | Popular Music | 20/1 | 2001 | 221 | Pop/Rock | Progressive Rock | 2000er, Progressive Rock, Analyse, Medien, Kritik, Theorie | 2009-10-22 13:26:42 | ||||||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 |