Zurück zur Informationsseite der iPOP - Mediathek
ID | Medium | SignUB | ▲ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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653 | Noten | AII 82858 iPOP | N-530-05 | Muy Caliente! | Sher | 1-883217-08-3 | Petaluma | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | HAPP Theiser | 2007-10-12 11:26:43 | |||||||||
652 | Noten | AII 82857 iPOP | N-530-06 | inside the brazilian rhythm section | Nelson Faria, Cliff Korman | Sher | 1-883217-13-X | Petaluma | 2001 | 530 | Worldmusic | Worldmusic Lateinamerika | HAPP Theiser | 2007-10-12 11:28:02 | ||||||||
853 | Noten | AII 70851 | N-531-01 | Antonio Carlos Jobim. Anthology | Hal Leonard | 0-7935-1677-3 | Milwaukee | 1994 | 531 | Worldmusic | Bossa Nova | Latin, Musiker, Werk | 2006-12-01 12:03:24 | |||||||||
855 | Noten | AII 70848 | N-531-02 | Salsa Guidebook for Piano & Ensemble | Mauleón, Rebeca | Sher Music | 0-9614701-9-4 | Petaluma | 1993 | 531 | Worldmusic | Salsa | Salsa, Werk | 2006-12-01 12:23:10 | ||||||||
856 | Noten | AII 69838 | N-531-03 | Salsa Session | Ed. Wilhelm Hansen | 87-7455-0896 | Kopenhagen | 1988 | 531 | Worldmusic | Salsa | 2006-12-01 12:26:24 | ||||||||||
860 | Noten | AII 71140 | N-532-01 | Samba Session | Edition Wilhelm Hansen | 87-7455-0918 | Kopenhagen | 1998 | 532 | Worldmusic | Samba | 2006-12-15 12:18:54 | ||||||||||
1541 | Noten | AII 102199 +1CD | N-532-02 | The Music of Brazilian Jazz. Plus One | Arranged by Ethan Neuburg | Warner | 2001 | 532 | Worldmusic | Samba, Jazz | 2011-06-16 10:57:07 | |||||||||||
660 | Noten | AII 82980 iPOP | N-560-01 | De Colores Eclipse El Rastrillo. Guitarra Flamenca Paso a Paso. | Oscar Herrero | RGB Arte Visual | 1999 | 560 | Worldmusic | Worldmusic Europa | HAPP Kelner | 2007-10-12 11:29:14 | ||||||||||
1105 | Textbeitrag | T-500-01 | Interpreting world music: a challence in theory and practice | Guilbault, Jocelyne | Popular Music | 16/1 | 1997 | Worldmusic | Musik, Stil, Analyse, Wissenschaft | S. 31-44 | 2009-04-30 12:41:22 | |||||||||||
1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
1632 | Textbeitrag | T-520-01 | García Márquez, macondismo, and the soundscapes of vallenato | Ochoa, Ana María | Popular Music | 24/2 | 2005 | Worldmusic | Vallenato | Literatur, Stil, Vermittlung, Worldmusic, Lateinamerika | 2012-05-31 13:46:11 | |||||||||||
1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
1102 | Textbeitrag | T-530-02 | Wit and popular music: the calypso and the blues | Mahabir, Cynthia | Popular Music | 15 | 1996 | Worldmusic | Calypso | Musik, Stil, Analyse | S. 55-82 | 2009-04-23 13:25:53 | ||||||||||
1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
1218 | Textbeitrag | T-530-05 | Record grooves and salsa dance moves: the viejoteca phenomenon in Cali, Colombia | Waxer, Lise | Popular Music | 20/1 | 2001 | 530 | Worldmusic | Viejoteca | Worldmusic, Lateinamerica, 2000er, Szene, Rezeption, Stil, Soziologie, Ethnologie | 2009-10-22 13:49:19 | ||||||||||
1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
1208 | Textbeitrag | T-531-02 | Making modernity in the hinterlands: new Maroon musics in the Black Atlantic | Bilby, Kenneth | Popular Music | 19/3 | 2000 | 531 | Worldmusic | Salsa, Music im "Black Atlantic" | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 265-292 | 2009-10-15 12:00:10 | |||||||||
1140 | Textbeitrag | T-540-01 | His Master's Voice? Exploring Qawwali and "Grammophone Culture" in South Asia | Burckhardt Qureshi, Regula | Popular Music | 18/1 | 1999 | Worldmusic | Worldmusic Asien | Worldmusic, Asien, Stil | S. 63-98 | 2009-06-25 13:49:12 | ||||||||||
1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 |