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| ID | ▲ Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1147 | Textbeitrag | T-560-02 | Minotaurs or musonauts?: "world music" and Cretan music | Dawe, Kevin | Popular Music | 18/2 | 1999 | 560 | Worldmusic | Worldmusic, Europa, Analyse | S. 209-226 | 2009-06-25 13:47:03 | ||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1151 | Textbeitrag | T-870-08 | The articulation of soul: gypsy musicians and the Serbian Other | Van de Port, Mattijs | Popular Music | 18/3 | 1999 | 560 | Worldmusic | Worldmusic Europa | Ethnologie, Stil, Politik, Europa | S. 291-308 | 2009-07-02 12:14:26 | |||||||||
| 1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
| 1208 | Textbeitrag | T-531-02 | Making modernity in the hinterlands: new Maroon musics in the Black Atlantic | Bilby, Kenneth | Popular Music | 19/3 | 2000 | 531 | Worldmusic | Salsa, Music im "Black Atlantic" | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 265-292 | 2009-10-15 12:00:10 | |||||||||
| 1210 | Textbeitrag | T-560-04 | Popular music in the Welsh language and the affirmation of youth identities | Llewellyn, Meic | Popular Music | 19/3 | 2000 | 560 | Worldmusic | Welsh music | Sprache, Großbritannien, Jugendkultur, Ethnologie, Soziologie, 1960er, 1970er, 1980er | S. 319-340 | 2009-10-15 13:03:15 | |||||||||
| 1218 | Textbeitrag | T-530-05 | Record grooves and salsa dance moves: the viejoteca phenomenon in Cali, Colombia | Waxer, Lise | Popular Music | 20/1 | 2001 | 530 | Worldmusic | Viejoteca | Worldmusic, Lateinamerica, 2000er, Szene, Rezeption, Stil, Soziologie, Ethnologie | 2009-10-22 13:49:19 | ||||||||||
| 1415 | Textbeitrag | T-540-05 | World music or Japanese - the gagaku of Togi Hideki | Lancashire, Terence | Popular Music | 22/1 | 2003 | 540 | Worldmusic | Japanische Hofmusik | Musiker, Werk, Asien | 2010-09-16 13:54:07 | ||||||||||
| 1588 | Textbeitrag | T-870-20 | Conflation and conflict in Brazilian popular music: fourty years between "filming" bossa nova in Orfeu Negro and rap in Orfeu | Grasse, Jonathon | Popular Music | 23/3 | 2004 | Worldmusic, Dan | Bossa Nova, HipHop | Worldmusic Lateinamerika, HipHop, Ethnologie, Entwicklung, Stil | 2012-02-02 11:55:07 | |||||||||||
| 1616 | Textbeitrag | T-540-06 | The rise and generic features of Shanghai popular songs in the 1930s and 1940s | Chen, Szu-Wei | Popular Music | 24/1 | 2005 | Worldmusic | China-Pop | Musik, Asien, 1930er, 1940er | 2012-05-03 13:06:46 | |||||||||||
| 1632 | Textbeitrag | T-520-01 | García Márquez, macondismo, and the soundscapes of vallenato | Ochoa, Ana María | Popular Music | 24/2 | 2005 | Worldmusic | Vallenato | Literatur, Stil, Vermittlung, Worldmusic, Lateinamerika | 2012-05-31 13:46:11 | |||||||||||
| 1003 | VHS | Video 138 | V-500-01 | Graceland: The African Concert | Paul Simon, Miriam Makeba u.a. | Warner | 938136-3 | 1987 | 500 | Worldmusic | Worldmusic | 2007-08-10 10:50:37 | ||||||||||
| 800 | Zeitschrift | Z-000-06a | Popular Music Vol. 18/1 | Cambridge University Press | 1999 | 000 | Worldmusic, Pop | 2006-09-01 11:27:18 | ||||||||||||||
| 802 | Zeitschrift | Z-000-06c | Popular Music Vol. 18/3 | Cambridge University Press | 1999 | 000 | Worldmusic, Pop | 2006-09-01 11:31:21 | ||||||||||||||
| 804 | Zeitschrift | Z-000-07b | Popular Music Vol. 19/2 | Cambridge University Press | 2000 | 000 | Worldmusic, Unt | 2006-09-01 11:35:52 | ||||||||||||||
| 806 | Zeitschrift | ZSI 69079/20 | Z-000-08a | Popular Music Vol. 20/1 | Cambridge University Press | 2001 | 000 | Worldmusic, Pop | 2006-09-01 11:40:56 | |||||||||||||
| 809 | Zeitschrift | I 69079 | Z-000-09a | Popular Music Vol. 21/1 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:48:54 | |||||||||||||
| 810 | Zeitschrift | I 69079/21 | Z-000-09b | Popular Music Vol. 21/2 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:50:47 | |||||||||||||
| 813 | Zeitschrift | Z-000-10b | Popular Music Vol. 22/2 | Cambridge University Press | 2003 | 000 | Worldmusic, Pop | 2006-09-01 11:57:26 |